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  3. AUBEC2082068
mad at god album cover

ISRC

AUBEC2082068

mad at god

Sarah Saint James
Released 2022-03-18

Last verified: July 29, 2026

AUBEC2082068 is the International Standard Recording Code (ISRC) for the recording “mad at god” by Sarah Saint James, released 2022-03-18. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

AUCountry
BECRegistrant
20Year (2020)
82068Designation
Country:
ISO 3166-1 alpha-2 country code (AU).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2020):
Last two digits of the reference year (2020). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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SourcesMusicBrainz

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  • MusicBrainz recording record

People also ask

What is the ISRC for "mad at god" by Sarah Saint James?+
The ISRC for "mad at god" by Sarah Saint James is AUBEC2082068.
What is an ISRC and what does it tell you?+
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

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What is ISRC AUBEC2082068?

AUBEC2082068 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “mad at god” by Sarah Saint James. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

Learn more about ISRCs · Powered by Notes.fm

Sarah Saint James

AUBEC2082068 is the International Standard Recording Code (ISRC) for the recording “mad at god” by Sarah Saint James, released 2022-03-18. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Sarah Saint James

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