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The Bridge that Van Gogh painted and the French Camargue: 5. Roman Amphitheatre at Arles album cover

ISRC

AUAB00350513

The Bridge that Van Gogh painted and the French Camargue: 5. Roman Amphitheatre at Arles

Malcolm Williamson
Released 2012-10-22

Last verified:

AUAB00350513 is the International Standard Recording Code (ISRC) for the recording “The Bridge that Van Gogh painted and the French Camargue: 5. Roman Amphitheatre at Arles” by Malcolm Williamson, released 2012-10-22. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

AUCountry
AB0Registrant
03Year (2003)
50513Designation
Country:
ISO 3166-1 alpha-2 country code (AU).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2003):
Last two digits of the reference year (2003). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "The Bridge that Van Gogh painted and the French Camargue: 5. Roman Amphitheatre at Arles" by Malcolm Williamson?
The ISRC for "The Bridge that Van Gogh painted and the French Camargue: 5. Roman Amphitheatre at Arles" by Malcolm Williamson is AUAB00350513.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC AUAB00350513?

AUAB00350513 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “The Bridge that Van Gogh painted and the French Camargue: 5. Roman Amphitheatre at Arles” by Malcolm Williamson. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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