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ISRC

ATN260826301

Fandens Mælkebøtte2

Song: FANDENS MAELKEBOTTE

Ásmegin
matched
Released 2008-11-28

Last verified:

ATN260826301 is the International Standard Recording Code (ISRC) for the recording “Fandens Mælkebøtte” by Ásmegin, released 2008-11-28. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by MARIUS OLAUSSEN.

Format

ATCountry
N26Registrant
08Year (2008)
26301Designation
Country:
ISO 3166-1 alpha-2 country code (AT).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2008):
Last two digits of the reference year (2008). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

MARIUS OLAUSSENComposer
IRON AVANTGARDE PUBLISHING GMBH OriginalPublisher0.00%IPI: 00663875501
SONY/ATV TUNES LLC RightsAdministrator100.00%IPI: 00338164558

Who publishes this song?

IRON AVANTGARDE PUBLISHING GMBHOriginalPublisher
IPI: 00663875501
SONY/ATV TUNES LLCRightsAdministrator
IPI: 00338164558
SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "Fandens Mælkebøtte" by Ásmegin?
The ISRC for "Fandens Mælkebøtte" by Ásmegin is ATN260826301.
Who wrote "Fandens Mælkebøtte"?
"Fandens Mælkebøtte" was written by MARIUS OLAUSSEN.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC ATN260826301?

ATN260826301 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Fandens Mælkebøtte” by Ásmegin. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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