ISRC
ATDA82023019
DIE KUNST DER FUGE, BWV 1080: NO. 12. CONTRAPUNCTUS INVERSUS 12A, A 4
Song: DIE KUNST DER FUGE - CONTRAPUNCTUS INVERSUS 12 A 4
Last verified:
ATDA82023019 is the International Standard Recording Code (ISRC) for the recording "DIE KUNST DER FUGE, BWV 1080: NO. 12. CONTRAPUNCTUS INVERSUS 12A, A 4". ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. The underlying musical work is ISWC T3226294997.
Format
- Country:
- ISO 3166-1 alpha-2 country code (AT).
- Registrant:
- 3-character code identifying the label or distributor that assigned this ISRC.
- Year (2020):
- Last two digits of the reference year (2020). Years < 50 are 21st century.
- Designation:
- Unique 5-digit code assigned by the registrant for this specific recording.
Credit Chain
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Related
Other versions of this workView all on iswc.fm
13. CONTRAPUNCTUS 12 A 4 (INVERSUS)
GBF071740013
The Art of Fugue: Contrapunctus 12, a 4 (rectus)
Carmel Caine, John Gray, Kenneth Heath, Malcolm Latchem, Stephen Shingles, Academy of St Martin in the Fields, Sir Neville Marriner
NLA507400099
The Art of Fugue: Contrapunctus 12, a 4 (inversus)
Neil Black, Carmel Caine, John Gray, Kenneth Heath, Cecil James, Tess Miller, Celia Nicklin, Stephen Shingles, Academy of St Martin in the Fields, Sir Neville Marriner
NLA507400102
Die Kunst der Fuge, BWV 1080: Contrapunctus inversus 12 a 4
Keller Quartett
DEB339765213
The Art of Fugue, BWV 1080: Contrapunctus 12 a 4 rectus
Unamas Fugue Quintet
JPZ921506135
People also ask
What is ISRC ATDA82023019?
ATDA82023019 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "DIE KUNST DER FUGE, BWV 1080: NO. 12. CONTRAPUNCTUS INVERSUS 12A, A 4". ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.
This recording is linked to the musical work T3226294997, which represents the underlying composition. Multiple recordings can share the same musical work — for example, an original version, a remix, and a cover would each have their own ISRC but reference the same ISWC.
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