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ISRC

ATA019600110

Für immer jung

Wolfgang AmbrosGeorg DanzerChristian KolonovitsWolfgang NiedeckenPeter MaffayErste Allgemeine VerunsicherungKurt Ostbahn4Xang
Released 1996-12-02

Last verified:

ATA019600110 is the International Standard Recording Code (ISRC) for the recording "Für immer jung" by Wolfgang Ambros, Georg Danzer, Christian Kolonovits, Wolfgang Niedecken, Peter Maffay, Erste Allgemeine Verunsicherung, Kurt Ostbahn, 4Xang, released 1996-12-02. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

ATCountry
A01Registrant
96Year (1996)
00110Designation
Country:
ISO 3166-1 alpha-2 country code (AT).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1996):
Last two digits of the reference year (1996). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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SourcesMusicBrainz

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People also ask

What is the ISRC for "Für immer jung" by Wolfgang Ambros?
The ISRC for "Für immer jung" by Wolfgang Ambros, Georg Danzer, Christian Kolonovits, Wolfgang Niedecken, Peter Maffay, Erste Allgemeine Verunsicherung, Kurt Ostbahn, 4Xang is ATA019600110.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC ATA019600110?

ATA019600110 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Für immer jung" by Wolfgang Ambros, Georg Danzer, Christian Kolonovits, Wolfgang Niedecken, Peter Maffay, Erste Allgemeine Verunsicherung, Kurt Ostbahn, 4Xang. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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