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LERATO (FEAT. BONTLE SMITH) album cover

ISRC

ZAC011600855

LERATO (FEAT. BONTLE SMITH)

DJ MAPHORISAKABZA DE SMALL FEAT. BONTLE SMITHKABZA DE SMALL
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Last verified:

ZAC011600855 is the International Standard Recording Code (ISRC) for the recording "LERATO (FEAT. BONTLE SMITH)" by DJ MAPHORISA, KABZA DE SMALL FEAT. BONTLE SMITH, KABZA DE SMALL. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by THEMBA SONNYBOY SEKOWE, KABELO MOTHA, BONTLE SMITH.

Format

ZACountry
C01Registrant
16Year (2016)
00855Designation
Country:
ISO 3166-1 alpha-2 country code (ZA).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2016):
Last two digits of the reference year (2016). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCLERATO (FEAT. BONTLE SMITH)
IPITHEMBA SONNYBOY SEKOWE

People also ask

What is the ISRC for "LERATO (FEAT. BONTLE SMITH)" by DJ MAPHORISA?
The ISRC for "LERATO (FEAT. BONTLE SMITH)" by DJ MAPHORISA, KABZA DE SMALL FEAT. BONTLE SMITH, KABZA DE SMALL is ZAC011600855.
Who wrote "LERATO (FEAT. BONTLE SMITH)"?
"LERATO (FEAT. BONTLE SMITH)" was written by THEMBA SONNYBOY SEKOWE, KABELO MOTHA, BONTLE SMITH.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC ZAC011600855?

ZAC011600855 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "LERATO (FEAT. BONTLE SMITH)" by DJ MAPHORISA, KABZA DE SMALL FEAT. BONTLE SMITH, KABZA DE SMALL. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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