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I’ve Never Done Anything Like This album cover

ISRC

USZCN1100076

I’ve Never Done Anything Like This2

Song: I VE NEVER DONE ANYTHING LIKE THIS

Bowling for SoupKay Hanley
matched
Released 2011-04-25

Last verified:

USZCN1100076 is the International Standard Recording Code (ISRC) for the recording “I’ve Never Done Anything Like This” by Bowling for Soup, Kay Hanley, released 2011-04-25. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by JAMES KEVIN DOTSON, JARET RAY REDDICK.

Format

USCountry
ZCNRegistrant
11Year (2011)
00076Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2011):
Last two digits of the reference year (2011). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCI’ve Never Done Anything Like This
IPIJAMES KEVIN DOTSON

People also ask

What is the ISRC for "I’ve Never Done Anything Like This" by Bowling for Soup?
The ISRC for "I’ve Never Done Anything Like This" by Bowling for Soup, Kay Hanley is USZCN1100076.
Who wrote "I’ve Never Done Anything Like This"?
"I’ve Never Done Anything Like This" was written by JAMES KEVIN DOTSON, JARET RAY REDDICK.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USZCN1100076?

USZCN1100076 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “I’ve Never Done Anything Like This” by Bowling for Soup, Kay Hanley. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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