ISRC
Fire Shut Up in My Bones: Act I: Mama, can i come to work with you?
Song: Fire Shut Up in My Bones: Act I
Last verified:
USY3P1905593 is the International Standard Recording Code (ISRC) for the recording “Fire Shut Up in My Bones: Act I: Mama, can i come to work with you?” by Walter Russell III, Latonia Moore, Will Liverman, Yannick Nézet-Séguin, the Metropolitan Opera Orchestra, the Metropolitan Opera Chorus, released 2022-06-17. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.
Credits Graph
Want songwriter and ownership data?
This recording is not yet in the Notes database. Notes-enhanced ISRCs include ownership data, songwriter credits, and publisher chains.
USY3P1905593 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Fire Shut Up in My Bones: Act I: Mama, can i come to work with you?” by Walter Russell III, Latonia Moore, Will Liverman, Yannick Nézet-Séguin, the Metropolitan Opera Orchestra, the Metropolitan Opera Chorus. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.
Learn more about ISRCs · Powered by Notes.fm
Dísella Làrusdóttir, J’Nai Bridges, Anthony Roth Costanzo, Karen Kamensek, the Metropolitan Opera Orchestra
USY3P1904500Beatrice Rana, Chamber Orchestra of Europe, Yannick Nézet-Séguin
GBAYC2202329Chamber Orchestra of Europe, Yannick Nézet-Séguin
DEN962200493Chamber Orchestra of Europe, Yannick Nézet-Séguin
DEN962200461USY3P1905593 is the International Standard Recording Code (ISRC) for the recording “Fire Shut Up in My Bones: Act I: Mama, can i come to work with you?” by Walter Russell III, Latonia Moore, Will Liverman, Yannick Nézet-Séguin, the Metropolitan Opera Orchestra, the Metropolitan Opera Chorus, released 2022-06-17. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.
