Voskreseniye Khristovo videvshe (Having Beheld the Resurrection of Christ) album cover

ISRC

USX9P0974668

Voskreseniye Khristovo videvshe (Having Beheld the Resurrection of Christ)

Song: Всенощное бдение, op. 37: 10. Воскресение Христово видевше

Seattle Pro MusicaKaren P. Thomas
Released 1998-01-01

Last verified:

USX9P0974668 is the International Standard Recording Code (ISRC) for the recording “Voskreseniye Khristovo videvshe (Having Beheld the Resurrection of Christ)” by Seattle Pro Musica, Karen P. Thomas, released 1998-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

USCountry
X9PRegistrant
09Year (2009)
74668Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2009):
Last two digits of the reference year (2009). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Voskreseniye Khristovo videvshe (Having Beheld the Resurrection of Christ)" by Seattle Pro Musica?
The ISRC for "Voskreseniye Khristovo videvshe (Having Beheld the Resurrection of Christ)" by Seattle Pro Musica, Karen P. Thomas is USX9P0974668.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USX9P0974668?

USX9P0974668 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Voskreseniye Khristovo videvshe (Having Beheld the Resurrection of Christ)” by Seattle Pro Musica, Karen P. Thomas. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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