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Red Christmas - From “Descendants: The Rise of Red” album cover

ISRC

USWD12433490

Red Christmas - From “Descendants: The Rise of Red”

Song: RED CHRISTMAS

Kylie Cantrall
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Last verified:

USWD12433490 is the International Standard Recording Code (ISRC) for the recording “Red Christmas - From “Descendants: The Rise of Red”” by Kylie Cantrall. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by MATTHEW TISHLER, JEANNIE RENEE LURIE.

Format

USCountry
WD1Registrant
24Year (2024)
33490Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2024):
Last two digits of the reference year (2024). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCRed Christmas - From “Descendants: The Rise of Red”
IPIMATTHEW TISHLER

People also ask

What is the ISRC for "Red Christmas - From “Descendants: The Rise of Red”" by Kylie Cantrall?
The ISRC for "Red Christmas - From “Descendants: The Rise of Red”" by Kylie Cantrall is USWD12433490.
Who wrote "Red Christmas - From “Descendants: The Rise of Red”"?
"Red Christmas - From “Descendants: The Rise of Red”" was written by MATTHEW TISHLER, JEANNIE RENEE LURIE.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USWD12433490?

USWD12433490 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Red Christmas - From “Descendants: The Rise of Red”” by Kylie Cantrall. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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