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CATCH ME OUTSIDE 2 album cover

ISRC

USUYG1740989

CATCH ME OUTSIDE 2

SKI MASK THE SLUMP GOD
matched
Released 2025-07-04

Last verified:

USUYG1740989 is the International Standard Recording Code (ISRC) for the recording "CATCH ME OUTSIDE 2" by SKI MASK THE SLUMP GOD, released 2025-07-04. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by TIMOTHY Z MOSLEY, MELISSA A ELLIOTT, ANNE JENNIFER DUDLEY, and others.

Format

USCountry
UYGRegistrant
17Year (2017)
40989Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2017):
Last two digits of the reference year (2017). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCCATCH ME OUTSIDE 2
IPITIMOTHY Z MOSLEY

People also ask

What is the ISRC for "CATCH ME OUTSIDE 2" by SKI MASK THE SLUMP GOD?
The ISRC for "CATCH ME OUTSIDE 2" by SKI MASK THE SLUMP GOD is USUYG1740989.
Who wrote "CATCH ME OUTSIDE 2"?
"CATCH ME OUTSIDE 2" was written by TIMOTHY Z MOSLEY, MELISSA A ELLIOTT, ANNE JENNIFER DUDLEY, JAMES TODD SMITH, SHAUN D TOUREAU LE, TUNDE RA ALEEM, TAHARQA Z ALEEM, AHMAD RICHARDSON, TREVOR HORN, JERRY CALLENDER, ISAAC WRIGHT, STOKELEY GOULBOURNE.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USUYG1740989?

USUYG1740989 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "CATCH ME OUTSIDE 2" by SKI MASK THE SLUMP GOD. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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