Afternoon Tea With the Auroras (interlude) album cover

ISRC

USUYG1548153

Afternoon Tea With the Auroras (interlude)

Song: AFTERNOON TEA WITH THE AURORAS INTERLUDE

Raveena
unmatchedNot yet matched in the MLC database
Released 2024-06-14

Last verified:

USUYG1548153 is the International Standard Recording Code (ISRC) for the recording "Afternoon Tea With the Auroras (interlude)" by Raveena, released 2024-06-14. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by AARON LIAO, RAVEENA AURORA.

Format

USCountry
UYGRegistrant
15Year (2015)
48153Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2015):
Last two digits of the reference year (2015). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCAfternoon Tea With the Auroras (interlude)

People also ask

What is the ISRC for "Afternoon Tea With the Auroras (interlude)" by Raveena?
The ISRC for "Afternoon Tea With the Auroras (interlude)" by Raveena is USUYG1548153.
Who wrote "Afternoon Tea With the Auroras (interlude)"?
"Afternoon Tea With the Auroras (interlude)" was written by AARON LIAO, RAVEENA AURORA.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USUYG1548153?

USUYG1548153 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Afternoon Tea With the Auroras (interlude)" by Raveena. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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