Hip Hop Sinister album cover

ISRC

USUYG1037597

Hip Hop Sinister2

Song: HIP HOP SINISTER

Hopsin
matched
Released 2013-11-24

Last verified:

USUYG1037597 is the International Standard Recording Code (ISRC) for the recording “Hip Hop Sinister by Hopsin, released 2013-11-24. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by MARCUS HOPSON.

Format

USCountry
UYGRegistrant
10Year (2010)
37597Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2010):
Last two digits of the reference year (2010). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

MARCUS HOPSONComposer
BLACK AND ORANGE MUSIC OriginalPublisherIPI: 00711476263
THE ADMINISTRATION MP INC RightsAdministratorIPI: 00511563581

Who publishes this song?

BLACK AND ORANGE MUSICOriginalPublisher
IPI: 00711476263
THE ADMINISTRATION MP INCRightsAdministrator
IPI: 00511563581

Credits Graph

MLC Song Code

SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "Hip Hop Sinister" by Hopsin?
The ISRC for "Hip Hop Sinister" by Hopsin is USUYG1037597.
Who wrote "Hip Hop Sinister"?
"Hip Hop Sinister" was written by MARCUS HOPSON.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USUYG1037597?

USUYG1037597 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Hip Hop Sinister by Hopsin. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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