ISRC
Knights of the Round Table/The Song That Goes Like This (Reprise) (Original Broadway Cast Recording: “Spamalot”)2
Song: KNIGHTS OF THE ROUND TABLE / SONG THAT GOES LIKE THIS
Last verified:
USUMC0500050 is the International Standard Recording Code (ISRC) for the recording “Knights of the Round Table/The Song That Goes Like This (Reprise) (Original Broadway Cast Recording: “Spamalot”)” by Sara Ramirez, Tim Curry, Michael McGrath, David Hyde Pierce, Hank Azaria, Christopher Sieber, Steve Rosen, Ensemble, released 2008-01-10. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.
Unmatched Recording
This recording has not been matched to a musical work in the Mechanical Licensing Collective (MLC) database. Mechanical royalties for unmatched recordings may be held in an unmatched pool until a rights holder claims them. If you own the rights to this work, you can submit a claim through the MLC Portal.
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MLC Song Code
USUMC0500050 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Knights of the Round Table/The Song That Goes Like This (Reprise) (Original Broadway Cast Recording: “Spamalot”)” by Sara Ramirez, Tim Curry, Michael McGrath, David Hyde Pierce, Hank Azaria, Christopher Sieber, Steve Rosen, Ensemble. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.
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Hank Azaria, David Hyde Pierce, Christopher Sieber, Christian Borle, Ensemble
USUMC0500045USUMC0500050 is the International Standard Recording Code (ISRC) for the recording “Knights of the Round Table/The Song That Goes Like This (Reprise) (Original Broadway Cast Recording: “Spamalot”)” by Sara Ramirez, Tim Curry, Michael McGrath, David Hyde Pierce, Hank Azaria, Christopher Sieber, Steve Rosen, Ensemble, released 2008-01-10. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.
