ISRC

USUM72218416

FEELING GOOD

AUSTIN MILLZ NINA SIMONEAUSTIN MILLZNINA SIMONENINA SIMONE & AUSTIN MILLZNINA SIMONE AUSTIN MILLZ
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USUM72218416 is the International Standard Recording Code (ISRC) for the recording “FEELING GOOD by AUSTIN MILLZ NINA SIMONE, AUSTIN MILLZ, NINA SIMONE, NINA SIMONE & AUSTIN MILLZ, NINA SIMONE AUSTIN MILLZ. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by ANTHONY NEWLEY, LESLIE BRICUSSE.

Format

USCountry
UM7Registrant
22Year (2022)
18416Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2022):
Last two digits of the reference year (2022). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

People also ask

What is the ISRC for "FEELING GOOD" by AUSTIN MILLZ NINA SIMONE?
The ISRC for "FEELING GOOD" by AUSTIN MILLZ NINA SIMONE, AUSTIN MILLZ, NINA SIMONE, NINA SIMONE & AUSTIN MILLZ, NINA SIMONE AUSTIN MILLZ is USUM72218416.
Who wrote "FEELING GOOD"?
"FEELING GOOD" was written by ANTHONY NEWLEY, LESLIE BRICUSSE.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USUM72218416?

USUM72218416 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “FEELING GOOD by AUSTIN MILLZ NINA SIMONE, AUSTIN MILLZ, NINA SIMONE, NINA SIMONE & AUSTIN MILLZ, NINA SIMONE AUSTIN MILLZ. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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