Guilty Conscience (Tame Impala remix) album cover

ISRC

USUM72013244

Guilty Conscience (Tame Impala remix)

Song: GUILTY CONSCIENCE

070 Shake
matched
Released 2020-07-24

Last verified:

USUM72013244 is the International Standard Recording Code (ISRC) for the recording "Guilty Conscience (Tame Impala remix)" by 070 Shake, released 2020-07-24. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by MIKE STOLLER, JERRY LEIBER, BEN KING, and others.

Format

USCountry
UM7Registrant
20Year (2020)
13244Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2020):
Last two digits of the reference year (2020). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCGuilty Conscience (Tame Impala remix)

People also ask

What is the ISRC for "Guilty Conscience (Tame Impala remix)" by 070 Shake?
The ISRC for "Guilty Conscience (Tame Impala remix)" by 070 Shake is USUM72013244.
Who wrote "Guilty Conscience (Tame Impala remix)"?
"Guilty Conscience (Tame Impala remix)" was written by MIKE STOLLER, JERRY LEIBER, BEN KING, MYLES WILLIAM MORAITES, DANIELLE BALBUENA, MITCHELL AHN, RANDOLPH NEWMAN, WILLIAM MORAITES.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USUM72013244?

USUM72013244 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Guilty Conscience (Tame Impala remix)" by 070 Shake. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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