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Forfeit. (acoustic) album cover

ISRC

USUM72012107

Forfeit. (acoustic)

Song: FORFEIT

Kiana LedéLucky Daye
unmatchedNot yet matched in the MLC database
Released 2020-06-26

Last verified:

USUM72012107 is the International Standard Recording Code (ISRC) for the recording "Forfeit. (acoustic)" by Kiana Ledé, Lucky Daye, released 2020-06-26. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by KIANA BROWN, DAVID BROWN, DERRICK CARRINGTON GRAY, and others.

Format

USCountry
UM7Registrant
20Year (2020)
12107Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2020):
Last two digits of the reference year (2020). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCForfeit. (acoustic)
IPIKIANA BROWN

People also ask

What is the ISRC for "Forfeit. (acoustic)" by Kiana Ledé?
The ISRC for "Forfeit. (acoustic)" by Kiana Ledé, Lucky Daye is USUM72012107.
Who wrote "Forfeit. (acoustic)"?
"Forfeit. (acoustic)" was written by KIANA BROWN, DAVID BROWN, DERRICK CARRINGTON GRAY, PATRICK FRANCIS MCMANUS, KENDALL ROARK BAILEY, KEVIN WHITE, MICHAEL MCCALL, REESE HINTON, MIKE WOODS.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USUM72012107?

USUM72012107 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Forfeit. (acoustic)" by Kiana Ledé, Lucky Daye. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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