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Baby Why You Do Me Like That? album cover

ISRC

USUM71510844

Baby Why You Do Me Like That?

Song: BABY WHY YOU DO ME LIKE THAT?

G. Love & Special SauceDJ Logic
unmatchedNot yet matched in the MLC database
Released 2015-10-28

Last verified:

USUM71510844 is the International Standard Recording Code (ISRC) for the recording “Baby Why You Do Me Like That?” by G. Love & Special Sauce, DJ Logic, released 2015-10-28. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by JEFF CLEMENS, GARRETT DUTTON, GARRETT D. DUTTON, and others.

Format

USCountry
UM7Registrant
15Year (2015)
10844Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2015):
Last two digits of the reference year (2015). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

People also ask

What is the ISRC for "Baby Why You Do Me Like That?" by G. Love & Special Sauce?
The ISRC for "Baby Why You Do Me Like That?" by G. Love & Special Sauce, DJ Logic is USUM71510844.
Who wrote "Baby Why You Do Me Like That?"?
"Baby Why You Do Me Like That?" was written by JEFF CLEMENS, GARRETT DUTTON, GARRETT D. DUTTON, JEFFREY CLEMENS.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USUM71510844?

USUM71510844 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Baby Why You Do Me Like That?” by G. Love & Special Sauce, DJ Logic. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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