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ISRC

USUM71404839

MY FAVORITE THINGS (LIVE AT TEMPLE UNIVERSITY/1966)

JOHN COLTRANE
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USUM71404839 is the International Standard Recording Code (ISRC) for the recording “MY FAVORITE THINGS (LIVE AT TEMPLE UNIVERSITY/1966)” by JOHN COLTRANE. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by MCMILLEN SCOTT KAKACEK, JULIEN A EHRLICH, ZIYAD ARIF ASRAR, and others.

Format

USCountry
UM7Registrant
14Year (2014)
04839Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2014):
Last two digits of the reference year (2014). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCMY FAVORITE THINGS (LIVE AT TEMPLE UNIVERSITY/1966)
IPIMCMILLEN SCOTT KAKACEK

People also ask

What is the ISRC for "MY FAVORITE THINGS (LIVE AT TEMPLE UNIVERSITY/1966)" by JOHN COLTRANE?
The ISRC for "MY FAVORITE THINGS (LIVE AT TEMPLE UNIVERSITY/1966)" by JOHN COLTRANE is USUM71404839.
Who wrote "MY FAVORITE THINGS (LIVE AT TEMPLE UNIVERSITY/1966)"?
"MY FAVORITE THINGS (LIVE AT TEMPLE UNIVERSITY/1966)" was written by MCMILLEN SCOTT KAKACEK, JULIEN A EHRLICH, ZIYAD ARIF ASRAR, MACIE STEWART, WILL MILLER.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USUM71404839?

USUM71404839 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “MY FAVORITE THINGS (LIVE AT TEMPLE UNIVERSITY/1966)” by JOHN COLTRANE. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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