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Darling, I Want to Destroy You album cover

ISRC

USUM70981011

Darling, I Want to Destroy You

Song: DARLING, I WANT TO DESTROY YOU

AFI
matched
Released 2009-01-01

Last verified:

USUM70981011 is the International Standard Recording Code (ISRC) for the recording “Darling, I Want to Destroy You” by AFI, released 2009-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by JADE PUGET, HUNTER BURGAN, DAVID MARCHAND, and others.

Format

USCountry
UM7Registrant
09Year (2009)
81011Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2009):
Last two digits of the reference year (2009). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

JADE PUGETComposer
HUNTER BURGANComposer
DAVID MARCHANDComposer
ADAM CARSONComposer

MLC Song Code

D59257
Verify on MLC Portal →
SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "Darling, I Want to Destroy You" by AFI?
The ISRC for "Darling, I Want to Destroy You" by AFI is USUM70981011.
Who wrote "Darling, I Want to Destroy You"?
"Darling, I Want to Destroy You" was written by JADE PUGET, HUNTER BURGAN, DAVID MARCHAND, ADAM CARSON.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USUM70981011?

USUM70981011 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Darling, I Want to Destroy You” by AFI. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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