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ISRC

USUM70812967

NO ME DOY POR VENCIDO (VERSION RANCHERA)

LUIS FONSI/LA BANDONONONA CLAVE NUEVA DE MAX PERAZA
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USUM70812967 is the International Standard Recording Code (ISRC) for the recording "NO ME DOY POR VENCIDO (VERSION RANCHERA)" by LUIS FONSI/LA BANDONONONA CLAVE NUEVA DE MAX PERAZA. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by LUIS FONSI, CLAUDIA ALEJANDRA MENKARSKI.

Format

USCountry
UM7Registrant
08Year (2008)
12967Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2008):
Last two digits of the reference year (2008). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCNO ME DOY POR VENCIDO (VERSION RANCHERA)
IPILUIS FONSI

People also ask

What is the ISRC for "NO ME DOY POR VENCIDO (VERSION RANCHERA)" by LUIS FONSI/LA BANDONONONA CLAVE NUEVA DE MAX PERAZA?
The ISRC for "NO ME DOY POR VENCIDO (VERSION RANCHERA)" by LUIS FONSI/LA BANDONONONA CLAVE NUEVA DE MAX PERAZA is USUM70812967.
Who wrote "NO ME DOY POR VENCIDO (VERSION RANCHERA)"?
"NO ME DOY POR VENCIDO (VERSION RANCHERA)" was written by LUIS FONSI, CLAUDIA ALEJANDRA MENKARSKI.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USUM70812967?

USUM70812967 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "NO ME DOY POR VENCIDO (VERSION RANCHERA)" by LUIS FONSI/LA BANDONONONA CLAVE NUEVA DE MAX PERAZA. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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