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NOT TOO LIT PT II album cover

ISRC

USUG12303603

NOT TOO LIT PT II

Song: NOT TOO LIT PT. II

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USUG12303603 is the International Standard Recording Code (ISRC) for the recording "NOT TOO LIT PT II". ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by JAMES GREGORY SCHEFFER, "DIAMOND ""BABY BLUE"" SMITH", DERRICK L. BAKER, and others.

Format

USCountry
UG1Registrant
23Year (2023)
03603Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2023):
Last two digits of the reference year (2023). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCNOT TOO LIT PT II
IPIJAMES GREGORY SCHEFFER

Related

Songwriter profiles

JAMES GREGORY SCHEFFERIPIDERRICK L. BAKERIPIHAMZA HAMAALIPI

People also ask

What is the ISRC for "NOT TOO LIT PT II"?
The ISRC for "NOT TOO LIT PT II" is USUG12303603.
Who wrote "NOT TOO LIT PT II"?
"NOT TOO LIT PT II" was written by JAMES GREGORY SCHEFFER, "DIAMOND ""BABY BLUE"" SMITH", DERRICK L. BAKER, RAYMOND EARL JACKSON, CARL MITCHELL HAMPTON, HOMER BANKS, JOSEPH SMITH, AHNIAS WILLIAMS, HAMZA HAMAAL, WILLIAM SLOAN JR., "MARCUS ""PLEASURE"" COOPER", COREY MATHIAS, JASON MARIA NOELLO PITARI, SPECTACULAR BLUE SMITH.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USUG12303603?

USUG12303603 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "NOT TOO LIT PT II". ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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