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WE ARE album cover

ISRC

USUG12104074

WE ARE

ABI BERNADOTH JON BATISTEABI BERNADOTHJON BATISTEJON BATISTE & ABI BERNADOTHJON BATISTE ABI BERNADOTH
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USUG12104074 is the International Standard Recording Code (ISRC) for the recording "WE ARE" by ABI BERNADOTH JON BATISTE, ABI BERNADOTH, JON BATISTE, JON BATISTE & ABI BERNADOTH, JON BATISTE ABI BERNADOTH. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by TIERCE PERSON, AUTUMN ROWE, JONATHAN BATISTE.

Format

USCountry
UG1Registrant
21Year (2021)
04074Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2021):
Last two digits of the reference year (2021). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCWE ARE
IPITIERCE PERSON

People also ask

What is the ISRC for "WE ARE" by ABI BERNADOTH JON BATISTE?
The ISRC for "WE ARE" by ABI BERNADOTH JON BATISTE, ABI BERNADOTH, JON BATISTE, JON BATISTE & ABI BERNADOTH, JON BATISTE ABI BERNADOTH is USUG12104074.
Who wrote "WE ARE"?
"WE ARE" was written by TIERCE PERSON, AUTUMN ROWE, JONATHAN BATISTE.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USUG12104074?

USUG12104074 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "WE ARE" by ABI BERNADOTH JON BATISTE, ABI BERNADOTH, JON BATISTE, JON BATISTE & ABI BERNADOTH, JON BATISTE ABI BERNADOTH. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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