Es war ein dark und shtormy Night album cover

ISRC

USTE10706666

Es war ein dark und shtormy Night

Song: FOUR NEXT-TO-LAST SONGS: ES VAR EIN DARK UND SHTORMY NIGHT

P.D.Q. Bach
unmatchedNot yet matched in the MLC database

Last verified:

USTE10706666 is the International Standard Recording Code (ISRC) for the recording “Es war ein dark und shtormy Night by P.D.Q. Bach. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

USCountry
TE1Registrant
07Year (2007)
06666Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2007):
Last two digits of the reference year (2007). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Unmatched Recording

This recording has not been matched to a musical work in the Mechanical Licensing Collective (MLC) database. Mechanical royalties for unmatched recordings may be held in an unmatched pool until a rights holder claims them. If you own the rights to this work, you can submit a claim through the MLC Portal.

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People also ask

What is the ISRC for "Es war ein dark und shtormy Night" by P.D.Q. Bach?
The ISRC for "Es war ein dark und shtormy Night" by P.D.Q. Bach is USTE10706666.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USTE10706666?

USTE10706666 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Es war ein dark und shtormy Night by P.D.Q. Bach. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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