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ISRC

USTCC0936120

Y'ALL WON'T SEE ME (FEAT. STEVEN KING, CYN ROCK, ILL BILL)

Song: Y'ALL WON'T SEE ME

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USTCC0936120 is the International Standard Recording Code (ISRC) for the recording “Y'ALL WON'T SEE ME (FEAT. STEVEN KING, CYN ROCK, ILL BILL)”. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by INCONNU COMPOSITEUR AUTEUR, ANTHONY QUILES.

Format

USCountry
TCCRegistrant
09Year (2009)
36120Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2009):
Last two digits of the reference year (2009). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCY'ALL WON'T SEE ME (FEAT. STEVEN KING, CYN ROCK, ILL BILL)
IPI INCONNU COMPOSITEUR AUTEUR

Related

Songwriter profiles

INCONNU COMPOSITEUR AUTEURIPIANTHONY QUILESIPI

People also ask

What is the ISRC for "Y'ALL WON'T SEE ME (FEAT. STEVEN KING, CYN ROCK, ILL BILL)"?
The ISRC for "Y'ALL WON'T SEE ME (FEAT. STEVEN KING, CYN ROCK, ILL BILL)" is USTCC0936120.
Who wrote "Y'ALL WON'T SEE ME (FEAT. STEVEN KING, CYN ROCK, ILL BILL)"?
"Y'ALL WON'T SEE ME (FEAT. STEVEN KING, CYN ROCK, ILL BILL)" was written by INCONNU COMPOSITEUR AUTEUR, ANTHONY QUILES.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USTCC0936120?

USTCC0936120 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Y'ALL WON'T SEE ME (FEAT. STEVEN KING, CYN ROCK, ILL BILL)”. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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