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ISRC

USSYS1017672

MULE TRAIN (MADE POPULAR BY TENNESSEE ERNIE FORD) [KARAOKE VERSION]

Song: MULE TRAIN

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USSYS1017672 is the International Standard Recording Code (ISRC) for the recording “MULE TRAIN (MADE POPULAR BY TENNESSEE ERNIE FORD) [KARAOKE VERSION]”. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by BRUCE WALTER MILLER.

Format

USCountry
SYSRegistrant
10Year (2010)
17672Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2010):
Last two digits of the reference year (2010). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCMULE TRAIN (MADE POPULAR BY TENNESSEE ERNIE FORD) [KARAOKE VERSION]
IPIBRUCE WALTER MILLER

Related

Songwriter profiles

BRUCE WALTER MILLERIPI

People also ask

What is the ISRC for "MULE TRAIN (MADE POPULAR BY TENNESSEE ERNIE FORD) [KARAOKE VERSION]"?
The ISRC for "MULE TRAIN (MADE POPULAR BY TENNESSEE ERNIE FORD) [KARAOKE VERSION]" is USSYS1017672.
Who wrote "MULE TRAIN (MADE POPULAR BY TENNESSEE ERNIE FORD) [KARAOKE VERSION]"?
"MULE TRAIN (MADE POPULAR BY TENNESSEE ERNIE FORD) [KARAOKE VERSION]" was written by BRUCE WALTER MILLER.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USSYS1017672?

USSYS1017672 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “MULE TRAIN (MADE POPULAR BY TENNESSEE ERNIE FORD) [KARAOKE VERSION]”. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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