ISRC

USSYS1014510

SHE DOESN'T DANCE (MADE POPULAR BY MARK MCGUINN) [KARAOKE VERSION]

Song: SHE DOESN'T DANCE

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USSYS1014510 is the International Standard Recording Code (ISRC) for the recording “SHE DOESN'T DANCE (MADE POPULAR BY MARK MCGUINN) [KARAOKE VERSION]. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by DONALD R PFRIMMER, SHANE DECKER, MARK MCGUINN.

Format

USCountry
SYSRegistrant
10Year (2010)
14510Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2010):
Last two digits of the reference year (2010). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCSHE DOESN'T DANCE (MADE POPULAR BY MARK MCGUINN) [KARAOKE VERSION]

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People also ask

What is the ISRC for "SHE DOESN'T DANCE (MADE POPULAR BY MARK MCGUINN) [KARAOKE VERSION]"?
The ISRC for "SHE DOESN'T DANCE (MADE POPULAR BY MARK MCGUINN) [KARAOKE VERSION]" is USSYS1014510.
Who wrote "SHE DOESN'T DANCE (MADE POPULAR BY MARK MCGUINN) [KARAOKE VERSION]"?
"SHE DOESN'T DANCE (MADE POPULAR BY MARK MCGUINN) [KARAOKE VERSION]" was written by DONALD R PFRIMMER, SHANE DECKER, MARK MCGUINN.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USSYS1014510?

USSYS1014510 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “SHE DOESN'T DANCE (MADE POPULAR BY MARK MCGUINN) [KARAOKE VERSION]. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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