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Take Me Back to the Country album cover

ISRC

USSM19931410

Take Me Back to the Country2

Song: TAKE ME BACK TO THE COUNTRY

Dolly Parton
matched
Released 1989-05-28

Last verified:

USSM19931410 is the International Standard Recording Code (ISRC) for the recording “Take Me Back to the Country” by Dolly Parton, released 1989-05-28. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by KAREN STANLEY.

Format

USCountry
SM1Registrant
99Year (1999)
31410Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1999):
Last two digits of the reference year (1999). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

KAREN STANLEYComposer
UNIVERSAL MUSIC-MGB SONGS OriginalPublisher100.00%IPI: 00538724724

Who publishes this song?

UNIVERSAL MUSIC-MGB SONGSOriginalPublisher
IPI: 00538724724

Credits Graph

SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "Take Me Back to the Country" by Dolly Parton?
The ISRC for "Take Me Back to the Country" by Dolly Parton is USSM19931410.
Who wrote "Take Me Back to the Country"?
"Take Me Back to the Country" was written by KAREN STANLEY.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USSM19931410?

USSM19931410 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Take Me Back to the Country” by Dolly Parton. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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