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Every Time I Feel the Groove (Urban Soul Basement mix) album cover

ISRC

USSM19917817

Every Time I Feel the Groove (Urban Soul Basement mix)

Song: EVERY TIME I FEEL THE GROOVE

Babyface
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USSM19917817 is the International Standard Recording Code (ISRC) for the recording "Every Time I Feel the Groove (Urban Soul Basement mix)" by Babyface. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by KENNETH B EDMONDS.

Format

USCountry
SM1Registrant
99Year (1999)
17817Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1999):
Last two digits of the reference year (1999). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCEvery Time I Feel the Groove (Urban Soul Basement mix)
IPIKENNETH B EDMONDS

People also ask

What is the ISRC for "Every Time I Feel the Groove (Urban Soul Basement mix)" by Babyface?
The ISRC for "Every Time I Feel the Groove (Urban Soul Basement mix)" by Babyface is USSM19917817.
Who wrote "Every Time I Feel the Groove (Urban Soul Basement mix)"?
"Every Time I Feel the Groove (Urban Soul Basement mix)" was written by KENNETH B EDMONDS.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USSM19917817?

USSM19917817 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Every Time I Feel the Groove (Urban Soul Basement mix)" by Babyface. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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