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ISRC

USSM19805739

WAIT TILL I GET HOME

Song: "WAIT TILL I GET HOME (SAMPLES ""I CAN'T GO FOR THAT {NO CAN DO}"")"

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USSM19805739 is the International Standard Recording Code (ISRC) for the recording “WAIT TILL I GET HOME”. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by JOHN WILLIAM OATES, PAUL GEORGE, BRIAN P. GEORGE, and others.

Format

USCountry
SM1Registrant
98Year (1998)
05739Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1998):
Last two digits of the reference year (1998). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCWAIT TILL I GET HOME
IPIJOHN WILLIAM OATES

Related

Songwriter profiles

JOHN WILLIAM OATESIPIPAUL GEORGEIPIBRIAN P. GEORGEIPIGERARD R. CHARLESIPISARA ALLENIPICURTIS T. BEDEAUIPIHUGH L. CLARKEIPILUCIEN GEORGEIPIDARYL HALLIPI

People also ask

What is the ISRC for "WAIT TILL I GET HOME"?
The ISRC for "WAIT TILL I GET HOME" is USSM19805739.
Who wrote "WAIT TILL I GET HOME"?
"WAIT TILL I GET HOME" was written by JOHN WILLIAM OATES, PAUL GEORGE, BRIAN P. GEORGE, GERARD R. CHARLES, SARA ALLEN, CURTIS T. BEDEAU, HUGH L. CLARKE, LUCIEN GEORGE, DARYL HALL.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USSM19805739?

USSM19805739 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “WAIT TILL I GET HOME”. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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