Grouch Girls Don’t Want to Have Fun album cover

ISRC

USSM19501419

Grouch Girls Don’t Want to Have Fun2

Song: GROUCH GIRLS DON'T WANT TO HAVE FUN

OscarGrundgettaGrouch Girls
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Last verified:

USSM19501419 is the International Standard Recording Code (ISRC) for the recording “Grouch Girls Don’t Want to Have Fun by Oscar, Grundgetta, Grouch Girls. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by CHERYL HARDWICK, NANCY SANS.

Format

USCountry
SM1Registrant
95Year (1995)
01419Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1995):
Last two digits of the reference year (1995). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

CHERYL HARDWICKComposer
NANCY SANSComposer

Credits Graph

MLC Song Code

SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "Grouch Girls Don’t Want to Have Fun" by Oscar?
The ISRC for "Grouch Girls Don’t Want to Have Fun" by Oscar, Grundgetta, Grouch Girls is USSM19501419.
Who wrote "Grouch Girls Don’t Want to Have Fun"?
"Grouch Girls Don’t Want to Have Fun" was written by CHERYL HARDWICK, NANCY SANS.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USSM19501419?

USSM19501419 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Grouch Girls Don’t Want to Have Fun by Oscar, Grundgetta, Grouch Girls. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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