ISRC

USSM19500735

Bucho’s Gracias/Navajas Attacks

Song: BUCHO'S GRACIAS NAVAJAS ATTACKS

Los Lobos
matched
Released 1995-01-01

Last verified:

USSM19500735 is the International Standard Recording Code (ISRC) for the recording "Bucho’s Gracias/Navajas Attacks" by Los Lobos, released 1995-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by CESAR ROSAS, DAVID HIDALGO, CONRAD LOZANO, and others.

Format

USCountry
SM1Registrant
95Year (1995)
00735Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1995):
Last two digits of the reference year (1995). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

CESAR ROSASComposer
DAVID HIDALGOComposer
CONRAD LOZANOComposer
LOUIS PEREZComposer
STEVE BERLINComposer

MLC Song Code

SourcesMusicBrainz

Verified on

People also ask

What is the ISRC for "Bucho’s Gracias/Navajas Attacks" by Los Lobos?
The ISRC for "Bucho’s Gracias/Navajas Attacks" by Los Lobos is USSM19500735.
Who wrote "Bucho’s Gracias/Navajas Attacks"?
"Bucho’s Gracias/Navajas Attacks" was written by CESAR ROSAS, DAVID HIDALGO, CONRAD LOZANO, LOUIS PEREZ, STEVE BERLIN.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USSM19500735?

USSM19500735 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Bucho’s Gracias/Navajas Attacks" by Los Lobos. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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