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  1. Home
  2. ISRCs
  3. USSM19000446
Samson, Act III Scene 3: Let the bright Seraphim album cover

ISRC

USSM19000446

Samson, Act III Scene 3: Let the bright Seraphim✓2

Song: Samson, HWV 57: Act III. Air: Let the bright seraphim (Israelite woman)

Kathleen BattleWynton MarsalisOrchestra of St. Luke’sJohn Nelson
matched
Released 1992-01-01

Last verified: July 12, 2026

USSM19000446 is the International Standard Recording Code (ISRC) for the recording “Samson, Act III Scene 3: Let the bright Seraphim” by Kathleen Battle, Wynton Marsalis, Orchestra of St. Luke’s, John Nelson, released 1992-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. The underlying musical work is ISWC T0112758152.

Format

USCountry
SM1Registrant
90Year (1990)
00446Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1990):
Last two digits of the reference year (1990). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCSamson, Act III Scene 3: Let the bright Seraphim
ISWCSamson, HWV 57: Act III. Air: Let the bright seraphim (Israelite woman)

Musical Work (ISWC)

T0112758152Samson, HWV 57: Act III. Air: Let the bright seraphim (Israelite woman)

Credits Graph

MLC Song Code

L08344
Verify on MLC Portal →
SourcesMusicBrainzMLC✓2 sources

Verified on

  • MusicBrainz recording record
  • MLC song record

People also ask

What is the ISRC for "Samson, Act III Scene 3: Let the bright Seraphim" by Kathleen Battle?+
The ISRC for "Samson, Act III Scene 3: Let the bright Seraphim" by Kathleen Battle, Wynton Marsalis, Orchestra of St. Luke’s, John Nelson is USSM19000446.
What is an ISRC and what does it tell you?+
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.
Is the ISRC the same as the ISWC?+
No. The ISRC identifies a specific recording, while the ISWC identifies the underlying musical composition. USSM19000446 is the ISRC for this recording; T0112758152 is the ISWC for the composition it is a recording of. One composition (ISWC) can have many recordings (ISRCs) — originals, remixes, live versions, and covers each get their own ISRC but share the same ISWC.

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What is ISRC USSM19000446?

USSM19000446 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Samson, Act III Scene 3: Let the bright Seraphim” by Kathleen Battle, Wynton Marsalis, Orchestra of St. Luke’s, John Nelson. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

This recording is linked to the musical work T0112758152, which represents the underlying composition. Multiple recordings can share the same musical work — for example, an original version, a remix, and a cover would each have their own ISRC but reference the same ISWC.

Learn more about ISRCs · Powered by Notes.fm

Related

Other versions of this workView all on iswc.fm

LET THE BRIGHT SERAPHIMGXBDS2423782
LET THE BRIGHT SERAPHIMQZTVM2483344

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Kathleen BattleWynton MarsalisOrchestra of St. Luke’sJohn Nelson

USSM19000446 is the International Standard Recording Code (ISRC) for the recording “Samson, Act III Scene 3: Let the bright Seraphim” by Kathleen Battle, Wynton Marsalis, Orchestra of St. Luke’s, John Nelson, released 1992-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. The underlying musical work is ISWC T0112758152.

Kathleen Battle, Wynton Marsalis, Orchestra of St. Luke’s, John Nelson