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ISRC

USSM17300567

Missa in tempore belli in C major, Hob. XXII:9: II. Gloria: Gloria in excelsis Deo. Vivace

Song: Missa in tempore belli, Hob. XXII:9 "Paukenmesse": II. Gloria

New York PhilharmonicLeonard Bernstein

Last verified:

USSM17300567 is the International Standard Recording Code (ISRC) for the recording "Missa in tempore belli in C major, Hob. XXII:9: II. Gloria: Gloria in excelsis Deo. Vivace" by New York Philharmonic, Leonard Bernstein. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

USCountry
SM1Registrant
73Year (1973)
00567Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1973):
Last two digits of the reference year (1973). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Missa in tempore belli in C major, Hob. XXII:9: II. Gloria: Gloria in excelsis Deo. Vivace" by New York Philharmonic?
The ISRC for "Missa in tempore belli in C major, Hob. XXII:9: II. Gloria: Gloria in excelsis Deo. Vivace" by New York Philharmonic, Leonard Bernstein is USSM17300567.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USSM17300567?

USSM17300567 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Missa in tempore belli in C major, Hob. XXII:9: II. Gloria: Gloria in excelsis Deo. Vivace" by New York Philharmonic, Leonard Bernstein. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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