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Sidewalk Requiem, Los Angeles, June 5th and 6th album cover

ISRC

USSM16801782

Sidewalk Requiem, Los Angeles, June 5th and 6th

Song: SIDEWALK REQUIEM, LOS ANGELES, JUNE 5TH AND 6TH

Chad & Jeremy
matched

Last verified:

USSM16801782 is the International Standard Recording Code (ISRC) for the recording "Sidewalk Requiem, Los Angeles, June 5th and 6th" by Chad & Jeremy. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by KEITH NOBLE, CHAD STUART.

Format

USCountry
SM1Registrant
68Year (1968)
01782Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1968):
Last two digits of the reference year (1968). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCSidewalk Requiem, Los Angeles, June 5th and 6th
IPIKEITH NOBLE

People also ask

What is the ISRC for "Sidewalk Requiem, Los Angeles, June 5th and 6th" by Chad & Jeremy?
The ISRC for "Sidewalk Requiem, Los Angeles, June 5th and 6th" by Chad & Jeremy is USSM16801782.
Who wrote "Sidewalk Requiem, Los Angeles, June 5th and 6th"?
"Sidewalk Requiem, Los Angeles, June 5th and 6th" was written by KEITH NOBLE, CHAD STUART.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USSM16801782?

USSM16801782 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Sidewalk Requiem, Los Angeles, June 5th and 6th" by Chad & Jeremy. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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