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ISRC

USSM16801544

The Blues Is Here to Stay

Song: THE BLUES IS HERE TO STAY

Eddie Boyd
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Last verified:

USSM16801544 is the International Standard Recording Code (ISRC) for the recording “The Blues Is Here to Stay” by Eddie Boyd. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by EDDIE BOYD.

Format

USCountry
SM1Registrant
68Year (1968)
01544Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1968):
Last two digits of the reference year (1968). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

EDDIE BOYDComposer
EDDIE'S BLUES MUSIC OriginalPublisher0.00%
BMG BUMBLEBEE RightsAdministrator100.00%IPI: 00722300987

Who publishes this song?

EDDIE'S BLUES MUSICOriginalPublisher
BMG BUMBLEBEERightsAdministrator
IPI: 00722300987

MLC Song Code

T61033
Verify on MLC Portal →
SourcesMusicBrainzMLC2 sources

Verified on

People also ask

What is the ISRC for "The Blues Is Here to Stay" by Eddie Boyd?
The ISRC for "The Blues Is Here to Stay" by Eddie Boyd is USSM16801544.
Who wrote "The Blues Is Here to Stay"?
"The Blues Is Here to Stay" was written by EDDIE BOYD.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USSM16801544?

USSM16801544 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “The Blues Is Here to Stay” by Eddie Boyd. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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