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ISRC

USSM16801475

5 RÜCKERT LIEDER: NO. 1 BLICKE MIR NICHT IN DIE LIEDER!

Song: RÜCKERT-LIEDER: I. BLICKE MIR NICHT IN DIE LIEDER (ARR. FOR VOICE AND ORGAN)

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USSM16801475 is the International Standard Recording Code (ISRC) for the recording "5 RÜCKERT LIEDER: NO. 1 BLICKE MIR NICHT IN DIE LIEDER!". ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by GUSTAV MAHLER, DAVID PIKE, DAVID BRIGGS.

Format

USCountry
SM1Registrant
68Year (1968)
01475Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1968):
Last two digits of the reference year (1968). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRC5 RÜCKERT LIEDER: NO. 1 BLICKE MIR NICHT IN DIE LIEDER!
IPIGUSTAV MAHLER

Related

Songwriter profiles

GUSTAV MAHLERIPI

People also ask

What is the ISRC for "5 RÜCKERT LIEDER: NO. 1 BLICKE MIR NICHT IN DIE LIEDER!"?
The ISRC for "5 RÜCKERT LIEDER: NO. 1 BLICKE MIR NICHT IN DIE LIEDER!" is USSM16801475.
Who wrote "5 RÜCKERT LIEDER: NO. 1 BLICKE MIR NICHT IN DIE LIEDER!"?
"5 RÜCKERT LIEDER: NO. 1 BLICKE MIR NICHT IN DIE LIEDER!" was written by GUSTAV MAHLER, DAVID PIKE, DAVID BRIGGS.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USSM16801475?

USSM16801475 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "5 RÜCKERT LIEDER: NO. 1 BLICKE MIR NICHT IN DIE LIEDER!". ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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