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ISRC

USSM16700025

ROCKIN' GOOD WAY (TO MESS AROUND AND FALL IN LOVE) (ALBUM VERSION)

Song: A ROCKIN' GOOD WAY (TO MESS AROUND AND FALL IN LOVE)

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USSM16700025 is the International Standard Recording Code (ISRC) for the recording "ROCKIN' GOOD WAY (TO MESS AROUND AND FALL IN LOVE) (ALBUM VERSION)". ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by BROOK BENTON, LUCHI DEJESUS, CLYDE LOVERN OTIS.

Format

USCountry
SM1Registrant
67Year (1967)
00025Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1967):
Last two digits of the reference year (1967). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Related

Songwriter profiles

CLYDE LOVERN OTISIPI

People also ask

What is the ISRC for "ROCKIN' GOOD WAY (TO MESS AROUND AND FALL IN LOVE) (ALBUM VERSION)"?
The ISRC for "ROCKIN' GOOD WAY (TO MESS AROUND AND FALL IN LOVE) (ALBUM VERSION)" is USSM16700025.
Who wrote "ROCKIN' GOOD WAY (TO MESS AROUND AND FALL IN LOVE) (ALBUM VERSION)"?
"ROCKIN' GOOD WAY (TO MESS AROUND AND FALL IN LOVE) (ALBUM VERSION)" was written by BROOK BENTON, LUCHI DEJESUS, CLYDE LOVERN OTIS.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USSM16700025?

USSM16700025 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "ROCKIN' GOOD WAY (TO MESS AROUND AND FALL IN LOVE) (ALBUM VERSION)". ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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