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ISRC

USSM16600553

Maskarade Overture

Song: MASKARADE OVERTURE, OP. 39

The Philadelphia OrchestraEugene Ormandy
unmatchedNot yet matched in the MLC database

Last verified:

USSM16600553 is the International Standard Recording Code (ISRC) for the recording "Maskarade Overture" by The Philadelphia Orchestra, Eugene Ormandy. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

USCountry
SM1Registrant
66Year (1966)
00553Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1966):
Last two digits of the reference year (1966). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

CARL NIELSONComposer
CHESTER MUSIC OriginalPublisher0.00%IPI: 00480927824
G. SCHIRMER, INC. RightsAdministrator100.00%IPI: 00027909466

Who publishes this song?

CHESTER MUSICOriginalPublisher
IPI: 00480927824
G. SCHIRMER, INC.RightsAdministrator
IPI: 00027909466

MLC Song Code

M3180E
Verify on MLC Portal →
SourcesMusicBrainzMLC2 sources

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People also ask

What is the ISRC for "Maskarade Overture" by The Philadelphia Orchestra?
The ISRC for "Maskarade Overture" by The Philadelphia Orchestra, Eugene Ormandy is USSM16600553.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USSM16600553?

USSM16600553 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Maskarade Overture" by The Philadelphia Orchestra, Eugene Ormandy. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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