ISRC
Piano Concerto no. 1: 3rd Movement. Allegro molto2
Song: CONCERTO FOR PIANO AND ORCHESTRA NO. 3 (1945)
Last verified:
USSM16301610 is the International Standard Recording Code (ISRC) for the recording “Piano Concerto no. 1: 3rd Movement. Allegro molto” by Rudolf Serkin, Columbia Symphony Orchestra, George Szell, released 1963-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.
Unmatched Recording
This recording has not been matched to a musical work in the Mechanical Licensing Collective (MLC) database. Mechanical royalties for unmatched recordings may be held in an unmatched pool until a rights holder claims them. If you own the rights to this work, you can submit a claim through the MLC Portal.
Credits Graph
Want songwriter and ownership data?
This recording is not yet in the Notes database. Notes-enhanced ISRCs include ownership data, songwriter credits, and publisher chains.
MLC Song Code
USSM16301610 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Piano Concerto no. 1: 3rd Movement. Allegro molto” by Rudolf Serkin, Columbia Symphony Orchestra, George Szell. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.
Learn more about ISRCs · Powered by Notes.fm
The Cleveland Orchestra, George Szell
USSM10405618Glenn Gould, Charles Libove, Columbia Symphony Orchestra, Vladimir Golschmann
USSM11409974The Cleveland Orchestra, George Szell
USSM16801188Artur Schnabel, London Philharmonic Orchestra, George Szell
GBAYC2001783USSM16301610 is the International Standard Recording Code (ISRC) for the recording “Piano Concerto no. 1: 3rd Movement. Allegro molto” by Rudolf Serkin, Columbia Symphony Orchestra, George Szell, released 1963-01-01. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.