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ISRC

USSM16001254

The Nightingale: Act 2. Performance of the Mechanical Nightingale

Song: The Nightingale: Scene II. Performance of the Mechanical Nightingale

Orchestra of the Opera Society of WashingtonD.C.Igor Stravinsky

Last verified:

USSM16001254 is the International Standard Recording Code (ISRC) for the recording "The Nightingale: Act 2. Performance of the Mechanical Nightingale" by Orchestra of the Opera Society of Washington, D.C., Igor Stravinsky. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

USCountry
SM1Registrant
60Year (1960)
01254Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1960):
Last two digits of the reference year (1960). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "The Nightingale: Act 2. Performance of the Mechanical Nightingale" by Orchestra of the Opera Society of Washington?
The ISRC for "The Nightingale: Act 2. Performance of the Mechanical Nightingale" by Orchestra of the Opera Society of Washington, D.C., Igor Stravinsky is USSM16001254.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USSM16001254?

USSM16001254 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "The Nightingale: Act 2. Performance of the Mechanical Nightingale" by Orchestra of the Opera Society of Washington, D.C., Igor Stravinsky. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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