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Die sieben Todsünden: VIII. Neid album cover

ISRC

USSM15600133

Die sieben Todsünden: VIII. Neid

Song: NEID

Fritz GöllnitzJulius KatonaLotte LenyaSiegmund RothHamburger SinfonieorchesterWilhelm Brückner-RüggebergErnst Poettgen
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USSM15600133 is the International Standard Recording Code (ISRC) for the recording “Die sieben Todsünden: VIII. Neid” by Fritz Göllnitz, Julius Katona, Lotte Lenya, Siegmund Roth, Hamburger Sinfonieorchester, Wilhelm Brückner-Rüggeberg, Ernst Poettgen. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

USCountry
SM1Registrant
56Year (1956)
00133Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (1956):
Last two digits of the reference year (1956). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

People also ask

What is the ISRC for "Die sieben Todsünden: VIII. Neid" by Fritz Göllnitz?
The ISRC for "Die sieben Todsünden: VIII. Neid" by Fritz Göllnitz, Julius Katona, Lotte Lenya, Siegmund Roth, Hamburger Sinfonieorchester, Wilhelm Brückner-Rüggeberg, Ernst Poettgen is USSM15600133.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USSM15600133?

USSM15600133 is an International Standard Recording Code (ISRC) that uniquely identifies the recording “Die sieben Todsünden: VIII. Neid” by Fritz Göllnitz, Julius Katona, Lotte Lenya, Siegmund Roth, Hamburger Sinfonieorchester, Wilhelm Brückner-Rüggeberg, Ernst Poettgen. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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