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Luv Bad Bitches album cover

ISRC

USSM12403218

Luv Bad Bitches

Song: LUV BAD BITCHES

FutureMetro BoominBrownstone
unmatchedNot yet matched in the MLC database

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USSM12403218 is the International Standard Recording Code (ISRC) for the recording "Luv Bad Bitches" by Future, Metro Boomin, Brownstone. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by NAYVADIUS DEMUN WILBURN, ERICK S SERMON, NICCI GILBERT, and others.

Format

USCountry
SM1Registrant
24Year (2024)
03218Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2024):
Last two digits of the reference year (2024). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCLuv Bad Bitches
IPINAYVADIUS DEMUN WILBURN

People also ask

What is the ISRC for "Luv Bad Bitches" by Future?
The ISRC for "Luv Bad Bitches" by Future, Metro Boomin, Brownstone is USSM12403218.
Who wrote "Luv Bad Bitches"?
"Luv Bad Bitches" was written by NAYVADIUS DEMUN WILBURN, ERICK S SERMON, NICCI GILBERT, GORDON CHAMBERS, DAVID CARLTON HALL, EVAN KOBE HOOD, KEVIN MADISON, MEJDI RHARS, ROBERT JOHN RICHARDSON, LELAND TYLER WAYNE.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USSM12403218?

USSM12403218 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Luv Bad Bitches" by Future, Metro Boomin, Brownstone. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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