WHERE YOU LEFT IT ACOUSTIC album cover

ISRC

USSM12302120

WHERE YOU LEFT IT ACOUSTIC

ELLA LANGLEY
unmatchedNot yet matched in the MLC database

Last verified:

USSM12302120 is the International Standard Recording Code (ISRC) for the recording "WHERE YOU LEFT IT ACOUSTIC" by ELLA LANGLEY. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by JORDAN FLETCHER, ELLA LANGLEY.

Format

USCountry
SM1Registrant
23Year (2023)
02120Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2023):
Last two digits of the reference year (2023). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

25%
JORDAN FLETCHERComposerLyricist
ELLA LANGLEYComposerLyricist25%
SONY/ATV CROSS KEYS PUBLISHING OriginalPublisherIPI: 00426047965

Who publishes this song?

SONY/ATV CROSS KEYS PUBLISHINGOriginalPublisher
IPI: 00426047965

MLC Song Code

SourcesNotes

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People also ask

What is the ISRC for "WHERE YOU LEFT IT ACOUSTIC" by ELLA LANGLEY?
The ISRC for "WHERE YOU LEFT IT ACOUSTIC" by ELLA LANGLEY is USSM12302120.
Who wrote "WHERE YOU LEFT IT ACOUSTIC"?
"WHERE YOU LEFT IT ACOUSTIC" was written by JORDAN FLETCHER, ELLA LANGLEY.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USSM12302120?

USSM12302120 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "WHERE YOU LEFT IT ACOUSTIC" by ELLA LANGLEY. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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