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ISRC

USSM11914911

I Pagliacci, Act I, Scene 2: Qual fiamma avea nel guardo! … Hui! Stridono lassù

Song: Pagliacci: Atto I. “Qual fiamma avea nel guardo!” (Nedda)

Aleksandra KurzakMorphing Chamber OrchestraFrédéric Chaslin

Last verified:

USSM11914911 is the International Standard Recording Code (ISRC) for the recording "I Pagliacci, Act I, Scene 2: Qual fiamma avea nel guardo! … Hui! Stridono lassù" by Aleksandra Kurzak, Morphing Chamber Orchestra, Frédéric Chaslin. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

USCountry
SM1Registrant
19Year (2019)
14911Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2019):
Last two digits of the reference year (2019). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "I Pagliacci, Act I, Scene 2: Qual fiamma avea nel guardo! … Hui! Stridono lassù" by Aleksandra Kurzak?
The ISRC for "I Pagliacci, Act I, Scene 2: Qual fiamma avea nel guardo! … Hui! Stridono lassù" by Aleksandra Kurzak, Morphing Chamber Orchestra, Frédéric Chaslin is USSM11914911.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USSM11914911?

USSM11914911 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "I Pagliacci, Act I, Scene 2: Qual fiamma avea nel guardo! … Hui! Stridono lassù" by Aleksandra Kurzak, Morphing Chamber Orchestra, Frédéric Chaslin. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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