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ISRC

USSM11608371

Agrippina, HWV 6: Act II, Scene 21. “Ogni vento ch’al porto lo spinga”

Song: Agrippina, HWV 6: Atto II, Scena XX. Aria "Ogni vento ch'al porto la spinga" (Agrippina)

Sonya YonchevaAcademia Montis RegalisAlessandro De Marchi

Last verified:

USSM11608371 is the International Standard Recording Code (ISRC) for the recording "Agrippina, HWV 6: Act II, Scene 21. “Ogni vento ch’al porto lo spinga”" by Sonya Yoncheva, Academia Montis Regalis, Alessandro De Marchi. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

USCountry
SM1Registrant
16Year (2016)
08371Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2016):
Last two digits of the reference year (2016). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Agrippina, HWV 6: Act II, Scene 21. “Ogni vento ch’al porto lo spinga”" by Sonya Yoncheva?
The ISRC for "Agrippina, HWV 6: Act II, Scene 21. “Ogni vento ch’al porto lo spinga”" by Sonya Yoncheva, Academia Montis Regalis, Alessandro De Marchi is USSM11608371.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USSM11608371?

USSM11608371 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Agrippina, HWV 6: Act II, Scene 21. “Ogni vento ch’al porto lo spinga”" by Sonya Yoncheva, Academia Montis Regalis, Alessandro De Marchi. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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