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SHAKE YOUR FOUNDATIONS album cover

ISRC

USSM11206257

SHAKE YOUR FOUNDATIONS

ACDCAC DCAC-DCAC/DCANGUS YOUNGBRIAN JOHNSONMALCOLM YOUNG
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Last verified:

USSM11206257 is the International Standard Recording Code (ISRC) for the recording "SHAKE YOUR FOUNDATIONS" by ACDC, AC DC, AC-DC, AC/DC, ANGUS YOUNG, BRIAN JOHNSON, MALCOLM YOUNG. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by BRIAN JOHNSON, MALCOLM MITCHELL YOUNG, ANGUS MCKINNON YOUNG.

Format

USCountry
SM1Registrant
12Year (2012)
06257Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2012):
Last two digits of the reference year (2012). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Credit Chain

ISRCSHAKE YOUR FOUNDATIONS
IPIBRIAN JOHNSON

People also ask

What is the ISRC for "SHAKE YOUR FOUNDATIONS" by ACDC?
The ISRC for "SHAKE YOUR FOUNDATIONS" by ACDC, AC DC, AC-DC, AC/DC, ANGUS YOUNG, BRIAN JOHNSON, MALCOLM YOUNG is USSM11206257.
Who wrote "SHAKE YOUR FOUNDATIONS"?
"SHAKE YOUR FOUNDATIONS" was written by BRIAN JOHNSON, MALCOLM MITCHELL YOUNG, ANGUS MCKINNON YOUNG.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USSM11206257?

USSM11206257 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "SHAKE YOUR FOUNDATIONS" by ACDC, AC DC, AC-DC, AC/DC, ANGUS YOUNG, BRIAN JOHNSON, MALCOLM YOUNG. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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