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ISRC

USSM10502136

A FRONT ROW SEAT TO HEAR OLE JOHNNY SING

SHEL SILVERSTEIN

USSM10502136 is the International Standard Recording Code (ISRC) for the recording "A FRONT ROW SEAT TO HEAR OLE JOHNNY SING" by SHEL SILVERSTEIN. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC. Written by SHEL SILVERSTEIN.

Format

USCountry
SM1Registrant
05Year (2005)
02136Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2005):
Last two digits of the reference year (2005). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

Who wrote this song?

SHEL SILVERSTEINComposer
EVIL EYE MUSIC INC OriginalPublisher0.00%
WIXEN MUSIC PUBLISHING, INC. OriginalPublisher100.00%IPI: 00229993322

Who publishes this song?

EVIL EYE MUSIC INCOriginalPublisher
WIXEN MUSIC PUBLISHING, INC.OriginalPublisher
IPI: 00229993322

People also ask

What is the ISRC for "A FRONT ROW SEAT TO HEAR OLE JOHNNY SING" by SHEL SILVERSTEIN?+
The ISRC for "A FRONT ROW SEAT TO HEAR OLE JOHNNY SING" by SHEL SILVERSTEIN is USSM10502136.
Who wrote "A FRONT ROW SEAT TO HEAR OLE JOHNNY SING"?+
"A FRONT ROW SEAT TO HEAR OLE JOHNNY SING" was written by SHEL SILVERSTEIN.
What is an ISRC and what does it tell you?+
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.
SourcesMLC

About This ISRC

USSM10502136 is an International Standard Recording Code (ISRC) that uniquely identifies this specific sound recording. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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