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ISRC

USSM10404033

Bastien & Bastienne, K. 50: Aria. Würd ich auch

Song: Bastien und Bastienne, K.50: No. 6 Aria: "Würd ich auch, wie manche Buhlerinnen" (Bastienne) Dialog "Gib dich zufrieden!" (Colas, Bastienne)

Edita GruberováLászló PolgárLiszt Ferenc KamarazenekarRaymond Leppard

Last verified:

USSM10404033 is the International Standard Recording Code (ISRC) for the recording "Bastien & Bastienne, K. 50: Aria. Würd ich auch" by Edita Gruberová, László Polgár, Liszt Ferenc Kamarazenekar, Raymond Leppard. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

USCountry
SM1Registrant
04Year (2004)
04033Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2004):
Last two digits of the reference year (2004). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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People also ask

What is the ISRC for "Bastien & Bastienne, K. 50: Aria. Würd ich auch" by Edita Gruberová?
The ISRC for "Bastien & Bastienne, K. 50: Aria. Würd ich auch" by Edita Gruberová, László Polgár, Liszt Ferenc Kamarazenekar, Raymond Leppard is USSM10404033.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USSM10404033?

USSM10404033 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Bastien & Bastienne, K. 50: Aria. Würd ich auch" by Edita Gruberová, László Polgár, Liszt Ferenc Kamarazenekar, Raymond Leppard. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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