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ISRC

USSM10014854

Cantata, BWV 207a "Auf, schmetternde Töne": V. Duetto. "Mich kann die süße Ruhe laben"

Song: Kantate, BWV 207a "Auf, schmetternde Töne der muntern Trompeten": V. Aria (Sopran, Bass) "Mich kann die süße Ruhe laben"

Concerto KölnFrieder Bernius

Last verified:

USSM10014854 is the International Standard Recording Code (ISRC) for the recording "Cantata, BWV 207a "Auf, schmetternde Töne": V. Duetto. "Mich kann die süße Ruhe laben"" by Concerto Köln, Frieder Bernius. ISRCs are 12-character ISO 3901 identifiers that uniquely tag a specific sound recording — different masters, remixes, and live versions each receive a distinct ISRC.

Format

USCountry
SM1Registrant
00Year (2000)
14854Designation
Country:
ISO 3166-1 alpha-2 country code (US).
Registrant:
3-character code identifying the label or distributor that assigned this ISRC.
Year (2000):
Last two digits of the reference year (2000). Years < 50 are 21st century.
Designation:
Unique 5-digit code assigned by the registrant for this specific recording.

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What is the ISRC for "Cantata, BWV 207a "Auf, schmetternde Töne": V. Duetto. "Mich kann die süße Ruhe laben"" by Concerto Köln?
The ISRC for "Cantata, BWV 207a "Auf, schmetternde Töne": V. Duetto. "Mich kann die süße Ruhe laben"" by Concerto Köln, Frieder Bernius is USSM10014854.
What is an ISRC and what does it tell you?
An ISRC (International Standard Recording Code) is a 12-character ISO 3901 identifier that uniquely tags a specific sound recording. The first two characters are the country code, the next three are the registrant (label or distributor), the next two are the year, and the last five are a unique recording number.

What is ISRC USSM10014854?

USSM10014854 is an International Standard Recording Code (ISRC) that uniquely identifies the recording "Cantata, BWV 207a "Auf, schmetternde Töne": V. Duetto. "Mich kann die süße Ruhe laben"" by Concerto Köln, Frieder Bernius. ISRCs are 12-character alphanumeric codes defined by ISO 3901, used globally by streaming platforms, record labels, and rights organizations to track plays and distribute royalties.

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